Then there’s Predelay, Mix and Size, a Low and High control to shape the equalization of our reverb, Modulation Depth and Rate, Feedback and Resonance. There are some controls over the main algorithm, like the input and output level, with two sliders respectively on the left and on the right side of the UI. As previously mentioned, the algorithm was already tested in some hardware devices and guitar pedals, and it is capable of epic tails, spacey-spaces, endless reverberation, reverse-like tails, all making Blackhole a unique tool which can be a true need in doing sound design. But it was brought further and a dedicated plugin like Blackhole was born. With such an evocative name, expect no less than otherworldly tails and an extremely powerful tool for sound design, and more.īlackhole has a clear and ordered interface, a collection of knobs, between which we can find some esoteric names, a ribbon (we will talk about that soon) and three switches.īasically, the algorithm of this digital reverb was born as a preset in the DSP4000 and then later in the H8000, as the manual promptly suggests. The H910 was used by some incredible artists, such as in the production of some tracks from David Bowie, AC/DC, Eddie Van Halen, and many more.īut today we are going to leave the “hardware side of the moon” and we will focus on one of their bundle’s plugin instead, the extraterrestrial reverb Blackhole. You may remember the H910 Harmonizer, a piece of hardware, released in 1975, that contributed to establishing the brand name. The well-known Eventide strikes again with its Anthology XI bundle which contains 23 plugins: reverbs, equalizers, harmonizers and many more. For your perusal: an extremely powerful tool for sound design and more. Blackhole – for a reverb with such an evocative name, you should expect no less than otherworldly tails.
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